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    <lastmod>2025-11-13</lastmod>
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      <image:title>CREATING</image:title>
      <image:caption>During a week of research at Shawbrook Dance, I explored the questions “what is the armour we build around ourselves?” and “how do we cope?”. I worked with David Ledger to explore who we are together and the daily act of performance we call living. We carefully craft the restrained, palatable caricatures of ourselves, knowing that we are acceptable, as long as we are not too powerful. What does this do to us psychologically? The ideas that emerged encompassed laughter as a coping mechanism, hyper-britishness as a social protective mask and the inevitable outpouring of suppressed rage. The research process was documented in stills by Mark Philip Simpson (below). With thanks to Shawbrook and Arts Council Ireland.</image:caption>
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      <image:title>CREATING</image:title>
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      <image:title>CREATING</image:title>
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      <image:title>CREATING</image:title>
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      <image:title>CREATING</image:title>
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      <image:title>CREATING</image:title>
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      <image:title>CREATING</image:title>
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      <image:title>CREATING - SELF HELP</image:title>
      <image:caption>(research &amp; development)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5db6f1eceb0afd2854ae4863/1600454614766-80J8OL8QR3O0G8AWP9YD/choreografische_werkstatt_2019_copyright_n.klinger_146.jpg</image:loc>
      <image:title>CREATING</image:title>
      <image:caption>Taking inspirations from music videos, advertising and comedy sketch shows, ELEFANTIN looks at female image and expectation, heteronormative and male gaze, female empowerment and aggressive sexuality in pop culture and asks the iconic 1959 Barbie how she is and what she really wants for herself.</image:caption>
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      <image:title>CREATING - “I could sell my dreamhouse, move to switzerland, get fat, grow old and die”</image:title>
      <image:caption>-Barbie on turning 60</image:caption>
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      <image:title>CREATING - ELEFANTIN</image:title>
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      <image:title>CREATING - SALT.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5db6f1eceb0afd2854ae4863/1603644102462-QJ3SFO44BUVCFOYBKHPC/35301197_398887343949097_3726313591649861632_o.jpg</image:loc>
      <image:title>CREATING</image:title>
      <image:caption>Happy Birthday to me Happy Birthday to me Happy Birthday dear me-e Happy Birthday to me [Repeat]</image:caption>
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      <image:title>CREATING</image:title>
      <image:caption>A hosting duo find themselves trapped in an inescapable cycle of never-ending self-celebration. As their egos battle to climb the ladder to “success”, they climb the walls. As the façade dissolves, what will remain of their humanity and their sanity? Devising performers: Jordan Gigout, Zoe Gyssler Costume &amp; Set Design: Mona Eing Direction, sound design: Cree Barnett Williams</image:caption>
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      <image:title>CREATING</image:title>
      <image:caption>A lonely man is given something to play with. He decides to create the ultimate woman: Thou shalt not be unemotional Thou shalt bleed once a month Thou shalt never leave the house without lipstick Thou shalt be fertile and ready Thou shalt not ignore the ticking clock Thou shalt attempt to breed once a month Thou shalt cry without reason Thou shalt be vegan twice a month Thou shalt be desirable until you are not Thou shalt be happy with that Thou shalt complain and not complain of unequal treatment Thou shalt do yoga everyday</image:caption>
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      <image:title>CREATING</image:title>
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      <image:title>CREATING - DA’AHLIN’</image:title>
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      <image:title>CREATING - DIE WALKÜRE</image:title>
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      <image:title>CREATING</image:title>
      <image:caption>Conductor: Francesco Angelico Direction: Markus Dietz Set Design: Mayke Hegger Costume Design: Henrike Bromber Dramaturgy: Christian Steinbock Choreography: Lillian Stilwell &amp; Cree Barnett Williams</image:caption>
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      <image:title>CREATING - COllapse</image:title>
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      <image:title>CREATING</image:title>
      <image:caption>after two years of restrictions we understand, not only our desire for connection, but an urgent need. we fight for joy.  we understand we misunderstand we miss the point we arrive on time we miss the point we go on</image:caption>
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      <image:title>CREATING - Shall We Try?!</image:title>
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      <image:title>CREATING</image:title>
      <image:caption>Direction and choreography: Cree Barnett Williams With choreography and performance by: Matthew Amos, Swami Biliotti, Milla Brindsen, Felicity Chadwick, Leon Di Domenico, Teddy Ferreira, India Guanzini, Jada Huang, Jasiah Marshall, Rosie Noble-Booth, Riko Saito, Nio Serrapiglio, Shawna Wong, Greta Benedetta Zappettini Sound design: Jan-S. Beyer With music by: Marihiko Hara, Meridian Brothers Costume: provided by the dancers Rehearsal direction: David Ledger</image:caption>
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    <lastmod>2025-11-13</lastmod>
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      <image:title>ABOUT - ABOUt</image:title>
      <image:caption>Cree is a Berlin based director, choreographer, teacher and performer. Graduating from Rambert School in London, Cree began freelancing as a dancer and teacher in the UK, before joining the Johannes Wieland company at the State Theater Kassel in Germany. During her time there she worked with Tom Weinberger, Helder Seabra and Thrbdrgns and after leaving the company continued to work on stage with Marina Mascarell, Johannes Wieland, Elisabeth Schilling and Christopher Roman and on film with Sidi Larbi Cherkaoui, Punchdrunk, Holly Blakey and Carla Massolini. Cree’s own works have been seen at theatres and festivals including Staatstheater Kassel, The Place London, b12 Festival Berlin, Mayfest Bristol, London’s Royal Opera House Linbury Theatre and Sadler's Wells’ Lillian Baylis Studio. As a moderator Cree regularly facilitates talks and events for b12 Festival in Berlin and is a co-curator of their platform ‘deep space’ exploring topics such as artificial vs embodied intelligence, education in the performing arts, personal and career sustainability, and power dynamics in the dance sector. She believes the discussion and interview formats to be critical in connecting us as individuals through our experiences while also challenging the structures of dance and the arts. About the work: Cree’s choreographic/artistic research and work encompasses dance, theatre and satire, questioning the concept of the authentic self, acknowledging the body as a historical resource and a tool for storytelling and human connection. Her practice has a somatic focus aiming to emphasise physical and mental wellbeing in symbiosis. Listening, language and conscious awareness of her own experiences are key to her desire to create safe working spaces in which to exchange. She has an interest in seeing ourselves and understanding our humanness through humour and movement/language specificity. With her work so far Cree has been exploring topics including the political nature of the female body, dysfunctional interpersonal dynamics, mental health and the wellness industry, and the urgent need for joy.</image:caption>
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      <image:title>ABOUT - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Instagram: @creebw | @_elefantin E-mail via contact form &gt;</image:caption>
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